AQEEL
Story: Best buddies and wannabe ghostbusters, Major and Gullu, assisted by a bhatakti aatma Ragini, are out to offer salvation to the dead and gone. Their life takes an unexpected turn when they’re faced with an evil baba, jealous of their progress.
Review: Gullu and Major (Ishaan and Siddhant Chaturvedi), two single boys living together, aspire to become professional ghostbusters. With the assistance of friendly ghost, Ragini (Katrina Kaif), they somewhat succeed in doing so. But their journey hits a roadblock when they get pulled into Ragini’s larger plan to salvage her lover from the clutches of an evil baba, Aatmaram (Jackie Shroff).
Gurmmeet Singh’s Phone Bhoot, written by Ravi Shankaran and Jasvinder Singh Bath, is an eclectic, out-of-the-box comedy. It’s evident from the proceedings that the writers and the director have spent a considerable amount of time visualising every minute of the film, so it doesn’t lose its steam half-way into its runtime.
Reminiscent of films like Andaz Apna Apna, the characters take their situations and themselves very seriously. That paves the way for humour which is embedded neatly into the screenplay, is unabashed and character-led. References to old and some relatively new Hindi movies and kinky horror films of the bygone decades (Ramsay Brothers' films) are also stitched into the narrative seamlessly. The screenplay is peppered with dialogues that will ease you into this film’s crazy world and make you laugh through most parts.
Having said that, the film lags in terms of pace in the first half till Jackie Shroff’s entry into the mix. That changes the film’s gear for the better, but it also makes the eventual conflict in the second half somewhat predictable. There are minor but unmissable loopholes at a few junctures. The film also takes certain creative liberties which should have been avoided completely, and that would have made the narrative even more engaging and entertaining.
In the technical department, the film’s VFX, production design and prosthetics are perfectly synced with the narrative. The film has been edited well, but it could have been slicker. The songs are purely ornamental to the narrative here. Even though you don’t mind them, you don’t take them home with you.
Ishaan, Katrina and Siddhant have a cool camaraderie as the ghost-busting trio. The boys put out a confident performance. They’re the new-age version of Amar-Prem who don’t eat into each other’s screen-time or performances. They vibe with each other which is pleasant. The director has also ensured that the balance between their screen time and their overall presentation is maintained throughout the runtime.
Katrina Kaif is beautiful to look at. She makes it a point to ensure that her presence doesn't overpower the narrative; she establishes her bro-code with the boys, and delivers an effortless performance, playing on her strengths. Jackie Shroff is the tadka to this mix. He’s the seetimaar element of this comedy without whom the humour quotient of the film would not be where it is.
Overall, Gurmmeet Singh puts out a unique horror comedy which is a departure from most material one has seen in the year so far. For that itself this one deserves a visit to the theatre.
Phone Bhoot Review {3.0/5} & Review Rating
PHONE BHOOT is the story of two ghostbusters. Sherdil Shergill aka Major (Siddhant Chaturvedi) and Galileo Parthasarthy aka Guru (Ishaan Khatter; credited in the film simply as Ishaan) are best friends who have a crazy interest in ghosts and spirits ever since they were kids. They want to make money out of their love for ghosts. Sadly, all their business ideas flop. Nevertheless, they continue trying and they host a 'Moksha Party'. It emerges a success as several partygoers mark their presence. Unbeknownst to Major and Guru, they are all ghosts. One such ghost is Ragini (Katrina Kaif). She informs them that they are gifted with the ability to see dead people. Hence, she gives them a business idea that they should start a phone line for those who want to get rid of ghosts. Major and Guru refuse at first. But their fathers arrive at their doorstep and ask them to pay Rs. 5 crores, which is the amount spent on their sons till date. They are given a time period of three months. With no other option, Major and Guru accept the idea although they also wonder why Ragini wants to help them. At first, their initiative gets massively trolled. Later, once they start solving cases, their business idea becomes a success. It also gets them in the bad books of the evil Atmaram (Jackie Shroff), who traps spirits trying to achieve 'moksha' (salvation).
Phone Bhoot Movie Review
Phone Bhoot Movie Review: PHONE BHOOT has a fine first half with all the ingredients of a youthful, fun horror comedy.
PHONE BHOOT has a fine first half with all the ingredients of a youthful, fun horror comedy, and will appeal to an audience who love horror comedies.
PHONE BHOOT is the story of two ghostbusters. Sherdil Shergill aka Major (Siddhant Chaturvedi) and Galileo Parthasarthy aka Guru (Ishaan Khatter; credited in the film simply as Ishaan) are best friends who have a crazy interest in ghosts and spirits ever since they were kids. They want to make money out of their love for ghosts. Sadly, all their business ideas flop. Nevertheless, they continue trying and they host a 'Moksha Party'. It emerges a success as several partygoers mark their presence. Unbeknownst to Major and Guru, they are all ghosts. One such ghost is Ragini (Katrina Kaif). She informs them that they are gifted with the ability to see dead people. Hence, she gives them a business idea that they should start a phone line for those who want to get rid of ghosts. Major and Guru refuse at first. But their fathers arrive at their doorstep and ask them to pay Rs. 5 crores, which is the amount spent on their sons till date. They are given a time period of three months. With no other option, Major and Guru accept the idea although they also wonder why Ragini wants to help them. At first, their initiative gets massively trolled. Later, once they start solving cases, their business idea becomes a success. It also gets them in the bad books of the evil Atmaram (Jackie Shroff), who traps spirits trying to achieve 'moksha' (salvation).
Ravi Shankaran and Jasvinder Singh Bath's story has all the ingredients for a youthful, fun horror comedy. Ravi Shankaran and Jasvinder Singh Bath's screenplay, however, is shaky in several places. Ravi Shankaran and Jasvinder Singh Bath's dialogues are witty and funny.
Gurmmeet Singh as a director handles certain scenes with panache, be it Major and Guru finding success as the ghostbusters, Major and Guru’s encounter with Chikni Chudail (Sheeba Chadha) or Major and Guru’s antics when Ragini is narrating her story. The pop culture references of FUKREY [2013], Katrina Kaif’s Mango Slice ad, Rajinikanth, MIRZAPUR [also directed by Gurmmeet Singh and backed by Excel], the coffin dancers, HINDUSTANI [1996], KHILADIYON KA KHILADI [1996], KOI MIL GAYA [2003], KABHI KHUSHI KABHIE GHAM [2001] etc. add to the fun element. On the flipside, certain references will go over the top. The character of Raaka forms an important part of the film but the makers, for no reason, did not feel it was important to explain its relevance to the current generation, who might have never watched a Ramsay film. But the bigger problem of the film is that it fails to evoke laughs in the second half. The climax is unimaginative and anything but funny. Moreover, the track of the killers of Ragini’s fiancée is simply not addressed after a point.
Speaking of performances, Katrina Kaif is in fine form and manages to give an entertaining performance. Siddhant Chaturvedi puts up a confident act. Ishaan is also fine and what’s praiseworthy is that though both are over the top, they don’t ham. Jackie Shroff is okay as the caricature villain. Sheeba Chadha is quite funny. Nidhi Bisht (Lavanya) and Armaan Ralhan (Dushyant Singh) are fine. Manuj Sharma (Rahu) and Shrikant Verma (Ketu) fail to leave a mark. The FUKREY boys – Pulkit Samrat, Varun Sharma and Manjot Singh – are there for a scene.
On the music front, 'Kinna Sona' is the best of the lot and is well choreographed. 'Phone Bhoot Theme' is relegated to the background and works. 'Jaau Jaan Se' is forgettable while 'Kaali Teri Gutt' is forced into the film. John Stewart Eduri's background score is fine.
K U Mohanan's cinematography is neat. Vintee Bansal's production design is quite imaginative. Poornamrita Singh's costumes are appealing. Shipra Singh Acharya's make-up and prosthetics is convincing. Manohar Verma's action is not at all gory. VFX is more or less satisfactory. Manan Ashwin Mehta's editing is fair.
On the whole, PHONE BHOOT has a fine first half with all the ingredients of a youthful, fun horror comedy. However, the second half could have been better. At the box office, the film will appeal to an audience who love horror comedies.
Continuing the ‘good for nothing’ universe of characters, we’ve Major (Siddhant Chaturvedi) & Galileo aka Gullu (Ishaan Khatter) who can seeeeee dead people. They crack a deal with the hot bhootni Ragini (Katrina Kaif) in order to earn a boatload of money in return for a favour which she’ll tell them at the ‘correct time’.
The Desi Ghostbusters trio continue to free some ghosts by helping them achieve their last wish. But, here’s where the story lands itself on a slippery slope introducing the ‘buri aatma’ Atmaram (Jackie Shroff), who manipulates & cheats the unsalvaged spirits. Forcing Ragini’s love angle amid all this mess makes this suffer from the ‘infamous second half syndrome’.
Ravi Shankaran and Jasvinder Singh Bath's story has all the ingredients for a youthful, fun horror comedy. Ravi Shankaran and Jasvinder Singh Bath's screenplay, however, is shaky in several places. Ravi Shankaran and Jasvinder Singh Bath's dialogues are witty and funny.
Gurmmeet Singh as a director handles certain scenes with panache, be it Major and Guru finding success as the ghostbusters, Major and Guru’s encounter with Chikni Chudail (Sheeba Chadha) or Major and Guru’s antics when Ragini is narrating her story. The pop culture references of FUKREY [2013], Katrina Kaif’s Mango Slice ad, Rajinikanth, MIRZAPUR [also directed by Gurmmeet Singh and backed by Excel], the coffin dancers, HINDUSTANI [1996], KHILADIYON KA KHILADI [1996], KOI MIL GAYA [2003], KABHI KHUSHI KABHIE GHAM [2001] etc. add to the fun element. On the flipside, certain references will go over the top. The character of Raaka forms an important part of the film but the makers, for no reason, did not feel it was important to explain its relevance to the current generation, who might have never watched a Ramsay film. But the bigger problem of the film is that it fails to evoke laughs in the second half. The climax is unimaginative and anything but funny. Moreover, the track of the killers of Ragini’s fiancée is simply not addressed after a point.
Speaking of performances, Katrina Kaif is in fine form and manages to give an entertaining performance. Siddhant Chaturvedi puts up a confident act. Ishaan is also fine and what’s praiseworthy is that though both are over the top, they don’t ham. Jackie Shroff is okay as the caricature villain. Sheeba Chadha is quite funny. Nidhi Bisht (Lavanya) and Armaan Ralhan (Dushyant Singh) are fine. Manuj Sharma (Rahu) and Shrikant Verma (Ketu) fail to leave a mark. The FUKREY boys – Pulkit Samrat, Varun Sharma and Manjot Singh – are there for a scene.
On the music front, 'Kinna Sona' is the best of the lot and is well choreographed. 'Phone Bhoot Theme' is relegated to the background and works. 'Jaau Jaan Se' is forgettable while 'Kaali Teri Gutt' is forced into the film. John Stewart Eduri's background score is fine.
K U Mohanan's cinematography is neat. Vintee Bansal's production design is quite imaginative. Poornamrita Singh's costumes are appealing. Shipra Singh Acharya's make-up and prosthetics is convincing. Manohar Verma's action is not at all gory. VFX is more or less satisfactory. Manan Ashwin Mehta's editing is fair.
On the whole, PHONE BHOOT has a fine first half with all the ingredients of a youthful, fun horror comedy. However, the second half could have been better. At the box office, the film will appeal to an audience who love horror comedies.
Continuing the ‘good for nothing’ universe of characters, we’ve Major (Siddhant Chaturvedi) & Galileo aka Gullu (Ishaan Khatter) who can seeeeee dead people. They crack a deal with the hot bhootni Ragini (Katrina Kaif) in order to earn a boatload of money in return for a favour which she’ll tell them at the ‘correct time’.
The Desi Ghostbusters trio continue to free some ghosts by helping them achieve their last wish. But, here’s where the story lands itself on a slippery slope introducing the ‘buri aatma’ Atmaram (Jackie Shroff), who manipulates & cheats the unsalvaged spirits. Forcing Ragini’s love angle amid all this mess makes this suffer from the ‘infamous second half syndrome’.
Phone Bhoot Movie Review: Script Analysis
Ravi Shankaran, along with his co-writer Jasvinder Singh Bath, started in 2009 with this subject & 13 years later it’s still something that hasn’t gone stale. Full marks for the persistence & some out-of-the-ordinary pop-culture references, the number for which when I counted (missed a few) was 25. Be it people resembling the viral ‘Dance With Coffin’ fellas or the groom killed by Munna in Mirzapur, nothing is crammed for the sake of pretending to be funny.
The writers have integrated the ad placements (Slice, Vicks, Vasmol) into the script & they work exactly like that creative sponsor message which you don’t skip while watching a video from your favourite YouTuber. This probably has the funniest first half, and interval point of any recent comedy film, but its latter portions which are equally filled with major loopholes. It’ll feel like the writers got so exhausted after keeping everything funny in the first half, they were left with hardly any decent material in the second.
The sets are amazingly built from Sid-Ishaan’s room screaming out how big of horror fans they are having an illusion door, a statue of their favourite ghost Raka, a skeleton phone & a lot more. K. U. Mohanan’s camerawork soothes the trip the makers take you on, especially in the first hour. The way how Ishaan’s Gullu breaks the fourth final to read out what’s about to happen reminds you of the Mard Ko Dard Nahi Hota school of comedy.
Ravi Shankaran, along with his co-writer Jasvinder Singh Bath, started in 2009 with this subject & 13 years later it’s still something that hasn’t gone stale. Full marks for the persistence & some out-of-the-ordinary pop-culture references, the number for which when I counted (missed a few) was 25. Be it people resembling the viral ‘Dance With Coffin’ fellas or the groom killed by Munna in Mirzapur, nothing is crammed for the sake of pretending to be funny.
The writers have integrated the ad placements (Slice, Vicks, Vasmol) into the script & they work exactly like that creative sponsor message which you don’t skip while watching a video from your favourite YouTuber. This probably has the funniest first half, and interval point of any recent comedy film, but its latter portions which are equally filled with major loopholes. It’ll feel like the writers got so exhausted after keeping everything funny in the first half, they were left with hardly any decent material in the second.
The sets are amazingly built from Sid-Ishaan’s room screaming out how big of horror fans they are having an illusion door, a statue of their favourite ghost Raka, a skeleton phone & a lot more. K. U. Mohanan’s camerawork soothes the trip the makers take you on, especially in the first hour. The way how Ishaan’s Gullu breaks the fourth final to read out what’s about to happen reminds you of the Mard Ko Dard Nahi Hota school of comedy.
Phone Bhoot Movie Review: Star Performance
Siddhant Chaturvedi & Ishaan Khatter are having the time of their life mouthing some hilarious one-liners delivering them with an uber-cool swag mashed up with Delhi’s ‘laundaness’. Siddhant gets to be the louder one & he never goes even a pitch higher to make his point. Another clever decision by the writers was to keep both these characters poles apart behaviourally letting them bring the best of both their worlds. Ishaan’s Gullu scaring away a ghost with the help of Rajinikanth’s antics & Siddhant’s Major dissecting what a Punjabi bhootni is saying is just one example of how even comedy for both of them has a differentiating factor.
Katrina Kaif’s origin story, if it was smartly written, would’ve impacted her presence a lot making her an integral part of the narrative. But, Ragini’s backstory is one of the major speed-breakers in the second half not letting her create a lasting impact.
There was such a Humongous scope if you’ve Jackie Shroff speaking in ‘tapori’ but unfortunately, the writers’ quirks exhaust when it comes to Atmaram. The whole time Bhidu was on screen, the hope of “now he’ll deliver a batsh*t crazy line” is alive only to get killed by the climax without getting fulfilled. Sheeba Chadha, and Manuj Sharma have their roles fleshed out in the gloomy second half & are briefly unfunny lending not-so-great support.
Siddhant Chaturvedi & Ishaan Khatter are having the time of their life mouthing some hilarious one-liners delivering them with an uber-cool swag mashed up with Delhi’s ‘laundaness’. Siddhant gets to be the louder one & he never goes even a pitch higher to make his point. Another clever decision by the writers was to keep both these characters poles apart behaviourally letting them bring the best of both their worlds. Ishaan’s Gullu scaring away a ghost with the help of Rajinikanth’s antics & Siddhant’s Major dissecting what a Punjabi bhootni is saying is just one example of how even comedy for both of them has a differentiating factor.
Katrina Kaif’s origin story, if it was smartly written, would’ve impacted her presence a lot making her an integral part of the narrative. But, Ragini’s backstory is one of the major speed-breakers in the second half not letting her create a lasting impact.
There was such a Humongous scope if you’ve Jackie Shroff speaking in ‘tapori’ but unfortunately, the writers’ quirks exhaust when it comes to Atmaram. The whole time Bhidu was on screen, the hope of “now he’ll deliver a batsh*t crazy line” is alive only to get killed by the climax without getting fulfilled. Sheeba Chadha, and Manuj Sharma have their roles fleshed out in the gloomy second half & are briefly unfunny lending not-so-great support.
Phone Bhoot Movie Review: Direction, Music
Gurmmeet Singh was this close to directing the most flawless horror-comedy Bollywood has ever seen, all he needed was a bit of emotional connection coupled with a few good jumpscares. The skilled writing boasting the careless nature of its comedy suddenly turns into a forced fun competition.
The songs were pretty average as well. Surprised to see Baba Sehgal rocking the title theme of the film which goes extremely well with the nature of its narrative.
Gurmmeet Singh was this close to directing the most flawless horror-comedy Bollywood has ever seen, all he needed was a bit of emotional connection coupled with a few good jumpscares. The skilled writing boasting the careless nature of its comedy suddenly turns into a forced fun competition.
The songs were pretty average as well. Surprised to see Baba Sehgal rocking the title theme of the film which goes extremely well with the nature of its narrative.
Phone Bhoot Movie Review: The Last Word
All said and done, Phone Bhoot is howlarious with its comedy but it doesn’t have anything spooktacular to add when it comes to its secondary genre. A fun watch desp
All said and done, Phone Bhoot is howlarious with its comedy but it doesn’t have anything spooktacular to add when it comes to its secondary genre. A fun watch desp
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